Satan escapes hell and risks his life in order to discover the truth and prove his freedom. Despite the fact that some critics do not consider Satan to be a hero, Milton reveals that he has several heroic qualities. In this respect, the heroism of Homer’s ‘Iliad’ opposes Milton’s interpretation of heroism since Achilles’ heroic deeds are motivated by the hero’s indignation and desire for vengeance. Satan is depicted using specific epic similes that allow the poet to emphasize Satan’s figure and expose his epic characteristics by contrasting him with the Son, who appears to be less heroic. His bravery and willpower are not the product of nature’s irreversible hardening or inability to feel gentle emotion. This strain of something resembling tenderness in Satan’s character enhances his heroic qualities. As the story progresses, Satan appears to demonstrate some heroism that, to a degree, represents the classical conception of heroic acts. The social and historical background that influenced Milton’s portrayal of Satan can also clarify such an uncommon artistic perspective. The poet constructs his own reality based on historical facts by merging pagan epic elements with Christian traditions. Milton’s view of the hero differs from that of classical literature in that his hero is someone who defies stereotypes, religious dogma, and established norms. Milton’s frustration with the heroic tradition of the epic is shown by the fact that Satan is given certain conventional heroic attributes. The poet exposes Satan’s shortcomings, portraying him as a noble and despised figure who can be praised for his struggle but is doomed to fail because of his actions. Milton’s Satan is depicted as an adversary to God’s despotic influence. Milton opposes a traditional hero with only optimistic characteristics in this regard. Satan, on the other hand, is not a total adversary, but rather a character that can be compared to a classical epic hero in certain ways. In general, Satan is depicted in literature as a character who is involved in various intrigues as part of his valiant battle against God. ![]() The poet restores these conventions with the aid of classical allusions, but he also significantly alters them in order to expose his own artistic vision and his approval or rejection of different aspects. Thematic affinities between the central acts of ‘Paradise Lost’ and Homer’s ‘Iliad’ were noted by Milton himself, who followed Homer’s ‘Iliad’ more closely than any other epic in his poem. The dynamic political and social events that inspired Milton’s ‘Paradise Lost’ also apply to those conventions found in epics like Homer’s ‘Iliad’. Every epic poem depicts a shattered historic civilization and its surviving virtues through the narration’s main characters.
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